One day, four kinds of light. From an empty room at six a.m. to a dance floor at midnight — this is the whole thing, in order.
The only part of the day nobody else sees. No direction given — just staying out of the way with a long lens.
Golden hour was scheduled, not lucky — the ceremony time got moved forty minutes to land here.
Blue hour buys about twelve minutes. Worth planning the table shots around it.
No flash on the floor — the venue lighting did the work. This is the frame every couple asks for first.